4/24/2024 0 Comments Pro tools smart quantize![]() If you want to check out the other eight pages, rather than clicking the drop‑down menu, use Cmd+up/down to navigate from the keyboard. Used with care, these can tidy up a performance without killing the feel. Although there are nine pages to this window, it opens on Quantize, which offers all of the features of the quantise cluster with the addition of, amongst other things, a useful Randomize option for ‘de‑quantising’, and a selection of options including ‘Exclude within’ and ‘Include within’ parameters, which can be used to target your quantising only at notes which are either close to, or far away from, the grid. Event Horizonįor more detailed control over your quantising, the Event Operations window is the place to go.The Event Operations window can also be accessed from the Event menu, or by using the shortcut Opt+0. If you need more control, clicking on the gear icon will take you to the Event Operations window (which is where you’d access quantise functions in earlier versions of Pro Tools). You don’t have to apply it to all the events in a performance, and often shouldn’t anyway. These controls address 90 percent of my quantise needs, particularly when I’m using quantise selectively. On a Mac it is Ctrl+Opt and the plus/minus keys on the numeric keypad.įrom the quantise cluster you can dial in Swing, which shifts every other beat or sub‑beat a little later, and the often‑overlooked Strength parameter, which moves selected events closer to, rather than fully onto, the quantised value. Using the Follow setting you can change both your grid setting and your quantise value using a keystroke. When displayed on the timeline, the grid lines are a useful visual guide if you can’t see them click on the word Grid (above Nudge) in the toolbar and the lines will be displayed. Here you can change the quantise grid resolution, and a great tip is to use the Follow Bars|Beats Grid setting at the top. It allows easy access to the most commonly called‑upon quantise features. ![]() This cluster is available in the Edit window, and also in the MIDI editors. Introduced in Pro Tools 2022.9 is a new cluster of quantise controls with which you can select clips or MIDI notes, and quantise them by clicking the big Q button. Here’s how to get the results you want with the minimum of fuss. There are a few ways to quantise in Pro Tools. Power users can even take the off‑grid ‘feel’ of an audio recording and impose that onto MIDI and audio. They make possible the introduction of swing and shuffle quantising can be used selectively, for example to only move notes falling on downbeats onto the grid it can just nudge notes closer to the ‘right’ location by a certain amount. Pro Tools’ quantise features allow much more than moving note starts onto a regular and potentially robotic‑sounding grid. If it’s late by the same amount on every hit, that’s groove. I remember hearing a story of a producer explaining to someone that if the snare is late once, that’s out of time. ![]() The answer lies in the difference between ‘on grid’ and ‘in time’. After all, your music is already snapped to the grid and ‘in time’. ![]() If, for example, you are a producer who draws in MIDI and drops samples with your DAW’s snap‑to‑grid function enabled (in Pro Tools that would be working in Grid Mode), you might wonder why you would need to quantise at all. In fact, a lot of quantising involves putting human feel back into the music. But there’s more to quantising than 100 percent ‘on the grid’ music. When applied to timing, quantisation forces notes to precise note time values. This is most commonly applied to music with regard to pitch and to timing. We do this when rounding decimal numbers to integers, for example: numbers between 1, 2, 3 and so on are nudged up or down to the closest ‘allowed’ value. ‘Quantise’ means to restrict to a limited set of values. Here’s what you need to know to get things in time in Pro Tools. Whether your projects are mostly MIDI or audio‑based, whether you play your parts in in real time, draw in your MIDI with a mouse, or program your beats by dropping samples on the timeline, at some point you’ll want to quantise them. ![]() Pro Tools offers some powerful features for quantising both MIDI and audio. The new ‘quantise cluster’ of controls lets you perform most routine quantising jobs directly within the Edit window. ![]()
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